Glasz (UIQ0005), by Lanark Artefax

Glasz (UIQ0005)

by Lanark Artefax

supported by

Pablo Lilienfeld Crazyshit.
Too macho. But macho is sometimes tasteful. Favorite track: Glasz.

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12" Vinyl
Record/Vinyl + Digital Album
Includes unlimited streaming of Glasz (UIQ0005) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	All That Is Solid Melts Into Air 02:25	buy track
2.	Remainder I 04:27	buy track
3.	Glasz 05:47	buy track
4.	Phasze (s_h_i_f_t) 03:10	buy track
5.	Virtual Bodies 03:17	buy track

about

Lee Gamble's UIQ label returns with the debut 5-track EP from 22 year old Glaswegian Lanark Artefax, whose precarious ballistics place a queered sidespin on Lee Gamble’s own dance floor discombobulations.

The Glasz EP is a trippy, time-warping suite feeding complex rhythmic structures and bent club blueprints thru meticulous FX contouring, re-shaping conventional shapes to create something almost gaseous in form. It's a sound rendered most explicitly in the title track and the lush, polymetric gyroscopics of All That Is Solid Melts Into Air, or with more elusive, prism-pushing aspects of cone-buckling subs and interlaced choral frameworks in Remainder I that sound like ‘ardcore filtered to plasmic, quantum jelly.

Glasz opens the other side with a curdled take on trap, oozing queasy stripes of melody and rave stabs on a brittle, percolated rimshot/snare, before Phasze (s_h_i_f_t) diffuses grime in an aether fantasy of sci-fi romantic pads and scything, elastic drums, and Virtual Bodies glitches a sort of shatterproof, neon-coloured chamber music.

Killer stuff once again from this firing, singular label.

credits

released July 26, 2016

Mastered by Matt Colton at Alchemy
Design - Dave Gaskarth

license

about

UIQ London, UK

The Cenozoic

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